Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Wednesday, April 4, 2012

a winning essay: a mother who knows

i wrote this essay in the bathtub one night in january. when it was dark and cold, with the clipboard against my knees. i submitted it the next morning to the piedmont wildlife center writing contest, held two cities away, with a little scanned picture of me in the local diner. last saturday, march marched itself right out the door, april quick on its heels with the good news that i won. this essay is currently featured on the center's web site and will be in their e-newsletter as well.

the prompt was to write about a facet of nature in your area of the piedmont. immediately, i knew what i'd say.
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I come from a family highly adept in the art of the hand-me-down. The reuse. The refurbish. From a mama who took a single yard of deep plum-colored fabric and somehow, through that magic combination of inherent creativity and late-night frustration, used it to create Halloween costumes for my two siblings every year—a gypsy head wrap one October, a witch’s cape the next. So I understood, that cool morning in September, when I saw her head to the alcove behind our house, our old, splintered picnic table in one hand, daddy’s gloved palm in the other. I watched from the kitchen as they pulled apart and destroyed the pigeon gray wood, then carefully nailed its pieces together. Slowly, a box took shape—an oblong rectangle no deeper than a sink, held up on makeshift posts driven deep into the Carolina clay. They told me it was a deer feeder, and ran out the door to buy feed, supplementing it with the renegade corncobs that littered our back field. 

A clandestine crowd of deer steadily trickled to us. Tucked behind the pines that bordered our property like the beginning of a jigsaw puzzle, the alcove was hidden. It was safe. My brother, sister and I would watch, mouths gaped open and breath tightly bated, careful to be the most quiet versions of ourselves. We were a couple of spies in the living room, peering in on one of the most sacred, intimate acts of nature—that of feeding, the exchange of nourishment, the primal instinct of sustaining. Then, as lightly as they came, we would watch as the deer, sometimes up to seven or eight at a time, would trot back into the maze of the woods.
As it has a habit of doing, time marched. Before long, my car was in the driveway, blocking the view of the feeder from the house. A few years later, my sister’s car, then my brother’s, was parked. Soon, it took going outside, around the vehicles, the basketball goal, and the lamppost, before the feeder came into view.

One rainy night when I was away in college, a downpour came and washed the feeder, weak with decay and time and the imprints of grubby hands, onto the mud, where it crumbled to pieces, putting up no more of a fight than a warm cookie caving in a glass of milk. The wind took the wood in different directions, onto our field and front yard. A few landed in the trees. There were some pieces never recovered, that just caught the tail of the rain and rinsed into the ground. 

Because some things are singular and special and meant to be savored only for a season, Mama didn’t replace the feeder. The alcove sits empty now, save for a few rogue weeds that unfailingly tilt their heads toward the sun every summer. I go home now to visit and the irony hangs pregnant in the air. Now my car is gone, and my sister’s. In August, my brother’s will take him away to college and the driveway will sit empty, the view to the woods once again restored.

The deer still come, now. They weave playfully between the trees and prance properly across the field when they think no one’s looking. Sometimes, one will stand out in the open, looking not exactly at anything, but not away from it either. And they are still fed. In its old age, the field has become more generous, and every season we find more and more corncobs scattered between the tall, green ears. Its Earth’s sort of compensation, I suppose, an amends for its furious rainfall that destroyed our old picnic table. Because that’s the beautiful thing about nature. It is cyclical. Each element building upon and accommodating for the other. Building up and tearing own. Bearing and burying. Riding in the ebb and the flow, always ready for the tide. 

Because it too has a mother skilled in renewal.

Monday, February 27, 2012

consider this my sally fields speech


a big thank you and humble head bow to all those who voted me "best writer" in this year's blogscars. it was a lovely, sweet thing to wake up to this morning and truly made me very proud.

(you know what didn't make me very proud? meryl streep winning best actress last night. and her self-deprecating but somehow simultaneously arrogant acceptance speech. i digress.)

when i was nine, i won a trunk full of crayola and nabisco products after entering a coloring contest on the back of a box of teddy grahams. is there really anything better than cookies and crayons when you're a child? even now, i would gladly and giddily accept an award that could eventually result in crumbs and messes.

that was the last thing i really won, and so this award is not taken lightly.

and on top of thanking my Lord and Savior, my devoted, protective husband, my drooling, cuddly pup and my parents who let me hole up in my bedroom and write poetry when most other children were outside, i would also like to thank my favorite english teacher, mr. eanes. a story about a grown man getting stuck in a mcdonald's playpen on prom night should either be hilarious or sad. in eleventh grade, i sat in my desk on the front row as you told it in a dynamic, interesting way that somehow made it both.

thank you to everyone who believes in the power of words. in the way they dance across a page and create new ideas every single day. readers make everything interesting and populate our imaginary towns with real, beating hearts. without them, the universe would be full of vivid, bright worlds as empty and lonely as a roadside bar on a cold sunday morning. thank you, for continuing to pretend.

Monday, February 6, 2012

a question for you: moving past the beginning


i wrote a paragraph on friday night.

it was succinct and short and simply an introduction. but i loved it.

the first five lines of the novel. the one i've put off for 24 years. the one i've  been formulating and rewriting on napkins and old receipts, on word documents and the back of worksheets. the one that will compile and make sense of the senseless one-liners i've texted into my phone.

this is the story that will put words to the feeling i get in my gut when i hear a certain song at five in the evening with the sun beating down on the interstate.

but what followed was rubbish.

the second paragraph was just awful and i erased it immediately, almost embarrassed at the lines that flowed from my fingers.

so i have a question for you. you bloggers and authors. you painters. you etsy sellers. you early morning musicians and late night poets.

how do you continue? how do you push past the curse of the blessed first sentence? i'm afraid i've entered the party in my best dress and i can never make such a dramatic entrance again.

how do you turn back around, put on something else, and saunter back into the crowd?

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p.s. speaking of bloggers, my friend jen from singing in the rain is hosting a giveaway as part of her one year blogoversary. hop on over and enter to win a giveaway to my etsy shop!

Wednesday, July 13, 2011

the second line, or how i will never finish a story


it didn't used to be this way. i would sit for hours in my dorm room, rocking back and forth in the wooden chair. the same wooden chair that held scores of students before me, in that same room with the bunk beds and exposed brick wall. i would rock, and while rocking, think about how to start my story. my essay. my report. microsoft word pulled up, with the cursor tauntingly blinking in the upper left corner. it's not that i didn't have anything to say. i had plenty. but starting it took time.

now, i can write a thousand opening lines. words flow from my fingers and spill out onto the screen. it's the meaty part that's hard. the second line. that's where my mind clams up and my heart races and i'm afraid i'll never match the beauty of the words before. there are stories tucked in my journal that are nothing more than one-liners. to flesh out an entire novel seems impossible for this girl who loves simplicity. loves short sentences pregnant with meaning.

hemingway wrote a six-word story once. just to prove he could:

for sale. baby shoes. never worn.

i think that's my fear. that i will sit down one day in front of a computer in a room unfamiliar to me now, but by then, wholly my home. and i will write. and maybe the words will flow furiously or maybe it will take years. and i'll never match the meaning of those six words. that my opening line will be a story in and of itself and the rest will be filler. fluff.

there are words in this heart. and stories and tales. but like the writer, they are simple. and i'm scared of suffocating them. with dialogue. with descriptions and details.

so i keep them tucked away. until i have enough breath in me to share with them. and its this symbiotic relationship that will redeem me until i can form, shape, mold and create them enough that they live entirely on their own.

Monday, June 13, 2011

to the girl i saw sitting alone on the picnic bench

if there were ever a terrible line written, it has to be this:
the children have left
so says the concerte at the community pool
on a cool day in october when the cover is pulled
and the concession stand is empty save spiders and webs
and the chairs are all stacked in the place they were left
to rust in the sun until may
so says the mother in the house at high noon
in a place where too much sunshine spills through empty rooms
once covered in fingerprints and little girl bows
and growth charts in door frames and toy cars in rows
then college applications and scholarship hopes
graduation gown in the closet, love letters and notes
now freshly vaccuumed as she'd imagined all along
only now clean just feels like being alone
and so says the school bus, alone in the lot
to sit with the others that someone forgot
to wait in the blessed heat till summer is done
and the children will return with the first august sun
the white lines will follow as the bus travels south
holding the children while time will allow

Thursday, April 28, 2011

a simple place to write

i found a new little sandwich shop yesterday. less than two miles from where i work, on the end of a brick office building. the shop itself is tiny, with only about seven little round tables. greek-owned, there's shredded beef and cheese, chicken souvlaki gyros and cheeseburger specials with fries and a coke.

but the thing that gets me? the black and white checkered floors. and the big metal vat of sweet tea. i could live on those two things alone. i feel promise in the fact that this will be a good place for me. a safe haven among corporate professionals grabbing a quick bite, and older women who found the place out of happenstance. i will tuck myself into the very last table. the one near the back, where the air is warm and privacy is ample. for now, i'll read my textbooks and make flash cards.

but one day, i'm quite certain this will be the place where i'll write. for myself. maybe for others. for you. and i'll nourish. body and spirit.

Monday, April 25, 2011

when you break down, i'll drive out and find you


there are things you can't admit anywhere but a midnight highway. things you can't let your heart feel until trees past by in blurs of ebony, wheels thump methodically beneath, and staticy radio waves sit stagnant in the passenger seat. like he's really gone this time. or where did the time go.

but the beautiful thing about the highway is its continuity. you can hop on i-40 in winston-salem, north carolina and take it straight to santa fe, new mexico. and you remind yourself that you should sometime. and let the crooks and turns, roadside diners and mom-and-pop grocery stores scattered like tumbleweeds along deserted, sunny roads, have their influence on  you.

because the highway does eventually stop. and the wheels become bald with time and sand. and maybe you stop along the shore. maybe in a crowded parking deck. maybe along the sidewalk of your hometown, strangely familiar yet only as a photograph. either way, you stop. because the heart can only take so much realization. and the soul so much clarity, until little by little the breaks become as deep as the pavement crevices beneath your feet as you open the door to home.

Thursday, March 17, 2011

the opening paragraph.

She wasn’t sure when it happened. That slow, sad arc toward not feeling. That moment when indifference turns to empathy and stillness turns to stagnant anger. But it happened still, and that morning, with the sunlight streaming into her coffee, she embraced it. leaned into it, even. And in doing so, leaned even farther away from him.

It was a Sunday, she remembered, when her life was irrevocably altered in the cold hospital room with whitewashed, sanitary walls. A blessed day of rest, spent in an agonizing 48 hours of labor. And then. Sheer, weak relief snatched as soon as it washed into her toes and began up her shins to the rest of her body. A weak cry in her arms, snatched away before she could kiss her forehead, with its goose down hair and squinted eyes. Tests and more tests, visits and more visits, that started on Sunday and continued. A defect. A disability. A despair. And finally, on this Tuesday of reckoning, a discovery.

Thursday, February 17, 2011

a rebirth


and i’ve lost my way to the fields in late summer
to mama’s vegetable soup and tire swings
reading alice and wonderland under the shade tree out back, where the flies buzz and sweat pours slow and
sweet like honey
to the school bus and paper airplanes. the whistle of the driver to quiet after-school giggles
swing-sets and merry-go-rounds
to dad in the driveway. hugs in the doorway
to days spent with grass between toes, dodging sharp rocks. and mud puddles
first dates and last kisses
riding my bike down the country road by our house
warm wind resting at my feet like a basset hound

all replaced by the rusty gears of morning and faceless, busy phones
so i search. in early evening, dawn and late, slow afternoons
for that feeling to heal me again
to restart, even if just for a day and taste, savor and devour this life all over again as a child
so today i lift my head to heaven and pray for rain to run in
or maybe just sun to warm my heart back to infancy

Thursday, February 3, 2011

losing my way with words

i love words.

i love the way they play, dance, move across a page. their rhythm. ebb and flow. up and down.

and i love writing. primarily because i'm so lousy at speaking. i love being able to attach a noun, adjective, verb, to an idea. 

but some things aren't that neat. some emotions, like the ones you feel in your gut, have no equivalent words. like when i wake up in the middle of the night and just get sad. and think about the brevity of life, and how precious and fleeting it is. and whisper a second round of prayers up to Heaven from under my blankets.

some things are just too heavy. i don't know how to write about the look in robert's eyes when he asked me to marry him. the bittersweet melancholy when we left my sister at college. the punch in the stomach when i found out a friend died in a car wreck. because to even try is to cheapen it. happy and sad just don't come close.

that's why this is my favorite bible verse. i was reminded of it driving home last night and it's been playing like an old familiar movie in my head ever since.

Jesus did many other things as well. If every one of them were written down, I suppose that even the whole world would not have room for the books that would be written.
-John 21:25
  
even an eternal library couldn't use up enough words to capture the soul of the Creator. the power and beauty of it all. it transcends everything. even my meager attempt here to write about it.

but those emotions. those deep, heart-wrenching feelings. those are beautiful. and special. and worthy of washing over you. even if words aren't worthy for them.